Bollywood, or the Hindi film industry of India, which produces around 1000 films a year, is the largest film industry in the world. Since then, the first Indian sound film Alam Ara was produced in 1931, in many ways in this industry. Films are prepared that show different aspects of Indian life, in a myriad of topics, comedy, romantic, thriller, horror or drama. However, over the years, there has been a trend of change in the portrayal of Indian films. The way movies were made in the 1950s, the first century, is done twenty different ways. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay In this article, I would like to explore the changes that the Indian film industry has seen for decades and a possible explanation for them. The Indian film industry can be broadly divided into four sub-categories. The first step will make films from the 1940s to the early 1960s. This phase is called "Golden Age of India Cinema", where some of the critically acclaimed films like Aavara (1951), Mr. 420 (1955) and Mother India (1957) were made. These films revolve around the common man who faced various struggles in life, which could be associated with the audience and finally come in the form of a person with the right morals. These stories told the hero about the poor who were full of in their own ways (mainly due to greed and success), they would eventually understand their mistakes and eventually become a better person and able to solve their problems. Candies. The second phase is the one that goes from the end of the 60s to the 80s. At this stage a typical change was seen in the overall story of the films. Films like Aradhana (1969), Anand (1970), Bobby (1973) and Sholay (1975) witness this period. These films were more action oriented and romantic in nature. Violence became an integral part of the films and much emphasis was placed on the villains, who were originally underworld mobsters, presented here under the image of an "angry young man", a mercurial hero who threw punches and kicks. He was very handsome, he will destroy the villain and in the end the woman's heart will prevail. During this time, many films were seen around this basic theme. The third phase is from the end of the 1980s to the 2000s. In this phase, the most diverse changes in the process of film making in India occurred. Advanced technology was introduced into the country. In 1987, India's first science film, Shri India, was released and was a fleeting success. Romance was still the main theme, at this stage comedy films were also affected. Many films were shot abroad at this stage. The last phase, still ongoing, began in the late 2000s. Different types of technical progress were made in this phase. From No Milla Gaya (2003), Ra. Uno (2011) places more emphasis on visual effects than cinematography. India only mentions that many films were shot in foreign countries. The main reason is because the content and the way films have been made have changed in recent decades, because the target audience has changed. In the early stages of Indian cinema, the target audience had to meet the poor and the villages were made so that they could be linked to the heroes of the films. With the passage of time and the expansion of the urban square, the target audience has now become medium-high. class or upper class, more interested in a protagonist, who had wealth, large bungalows and bicycles. So, to sell a film, there won't be the poor boy in a remote village formula. Rural audiences are also more interested in watching.