The beautiful Pacific Northwest serves as the perfect backdrop for Raymond Carver's stories, filled with recurring symbolism, underlying themes, and meaningful motifs, especially the repeated theme of water. Just as water plays such a significant role in the identity, culture, and nature of the Pacific Northwest, Carver's continued inclusion of the theme in his stories gives it an equally significant role, but one that does not necessarily have the same meaning in every story. history. Water is mentioned in many different forms: melting ice, snow, rivers, rain, and even running water in a bathtub or sink. Although the theme of water has significance in Carver's literature, the role it plays in their respective stories is very different. On the one hand, in some cases it accompanies and represents violence, but at the same time in other stories it also exists at the opposite end of the spectrum, representing health and healing. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay There is almost universal acceptance of the healing powers of water. Isak Dinesen once wrote: “the cure for anything is salt water: sweat, tears or the sea.” On the one hand, this speaks to the seemingly endless forms of water that exist in nature and that we experience every day, but it also mentions water as healing. Swimming is therapeutic for countless people, sometimes drinking water is all someone needs to calm down, taking showers or baths can automatically relax and rejuvenate. Carver explores these restorative qualities of water in many of his stories, but specifically uses the theme of water. water in the form of bathing in the “Bath” (also known in later versions as “A Little, Good Thing”). With this story, the importance of water is highlighted even just within the title, indicating the meaning of the theme. In this story, a mother and father are in the hospital anxiously waiting for their young son to come out of a coma after being hit by a car on his birthday. Of course the story is filled with fear, anxiety, uncertainty and helplessness, but the idea of water in the form of a bath exists as a safe place for both the husband and wife respectively. While the couple waits in the hospital, the narrator focuses on the husband, saying that "fear made him long for a bath" (Carver 252), which establishes the bath as a place of safety. He returns home, washes his face, shaves and gets into the bathtub, hoping it will restore and rejuvenate him, but is interrupted by one of many mysterious and aggressive phone calls from the pastry chef of his son's birthday cake. In turn, his wife Ann returns home from the hospital later, hoping to take a bath too. On his way out he talks to a man in the waiting room, saying, "My son was hit by a car... But he's going to be okay." He's in shock now, but it could also be some kind of coma. That's what we're worried about, the coma part. I'm going out for a while. Maybe I'll take a bath... There's a chance everything will change when I'm gone'” (Carver 257). Here the bathroom becomes not only a symbol of health, safety and rejuvenation for parents, but also represents the possible health of their child. Ann hopes that as she leaves the hospital, goes home and takes a bath, her son will finally wake up too. In the later version of "The Bath" from Beginners, which was retitled "A Small, Good Thing", Ann, in the same way her husband did before entering the bathtub, utters the words "'I'm afraid of death '” (Carver 818).it's a constant cycle of expectation, disappointment, and despair, and the bath offers a welcome break from that cycle, representing healing, safety, and comfort. The story "What's in Alaska?" it also includes a scene involving a bath, and is used again as a symbol of comfort and refreshment when the character Carl welcomes a bath after a tense interaction with his wife, Mary, who is later suggested in the story as an adulteress. There are also other stories that don't necessarily include bathing, but incorporate the idea of using running water from the sink or shower to regain health or experience a feeling of safety and comfort. In "What is it?" Leo “splashes water on his face” (Carver 163) after a particularly intense and charged argument with his partner Toni, in an attempt to recover from the confrontation. Additionally, in “Fat,” the unnamed narrator takes a shower after returning home from work, escaping to a comforting place because her relationship with her partner Rudy is unsatisfying, distant, and misunderstood. We can all relate to using water to instill a sense of comfort and health. Few things are more calming or rejuvenating than a warm bath or shower, and even the simple splash of water on your face from the sink can be the cure for tiredness or help dispel any kind of negative feelings. Carver's frequent use of water is not an accident: he uses it as a significant theme representing healing and safety to balance the many negative thoughts and feelings that accompany his stories. Although water is sometimes used as a balance against the more undesirable qualities of water. In his stories, Raymond Carver also uses water to accentuate or represent some of those negative feelings that pervade his literature. Even though I only spent three pages singing the praises of water, highlighting its healing qualities and the sense of comfort it can instill, water has another side. I grew up with a family beach house in Tofino, British Columbia, on the west coast of Vancouver Island, and have been surfing there since I was a child. One of the first things my father told me when he taught me was that water wouldn't always be my friend. The ocean is unpredictable, unforgiving, and violent, and sometimes fighting it only pulls you further into a tide, sends you crashing into waiting rocks, or simply swallows you so deep that you end up drowning. In his stories Carver finds himself on opposite sides of a spectrum: not only does he explore water as a symbol of health, but he also uses it as a symbol that accompanies violence. The clearest depiction of Carver associating water with violence is in his short story “So Much Water So Close to Home.” Three men on a fishing trip find a dead woman in the river, but decide to leave her there and not report it until the end of the trip, waiting several days to pack their bags and find a phone to call the police. This incident creates a significant disconnect between one of the men, Stuart, and his wife, Claire. As indicated by the title, water obviously plays an incredibly important role in the story, starting with the fact that the dead woman was found in a river. This almost contaminates the water in a certain sense, associating it with death and violence; given that we also know that the woman was raped before being killed. Also, as Claire and Stuart discuss the incident in the kitchen, Claire (who is the narrator), says, "I close my eyes for a minute and hold on to the drainer... Despite everything, knowing everything that might be in store, I pass my arm over the drainboard and send plates and glasses shattering and scattering on the floor 870)..
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