When you think of Japanese animation, he's the man who comes to mind. A man dedicated to his craft, he works at least 12 hours, sometimes not even eating, hand-drawing the storyboards for all his films himself. When Spirited Away won the Oscar for best animated film, he chose not to go to the awards ceremony, stating: "I didn't want to visit a country that was bombing Iraq." He is best known for his passion for flying and not having the typical hero against an unsympathetic antagonist. Especially in the movie Princess Mononoke, where the antagonist, Eboshi, could have been the classic evil villain, he just wants to help revive the mining town he lives in, but at the same time he is taking over the habitat of the forest gods. This made him very controversial and even branded him as a feminist, pacifist and even a traitor to the Japanese, but for the most part Hayao Miyazaki simply represents their childhood. Throughout all of his films, including Spirited Away, My Neighbor Totoro, and The Wind Rises, Hayao Miyazaki exudes a very innocent and wonderful style. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay In all three films the lighting choices help convey this style. In Spirited Away, when Chihiro sees No-Face standing outside the bathroom in the rain, the soft light on No-Face's face tells the viewer that he is an innocent and shy spirit. This lighting technique is also shown when No-Face tries to give Chihiro a handful of gold nuggets. In My Neighbor Totoro there is a scene where Satsuki, Mei and Totoro are lying in a field enjoying the beauty of the world. The scene is flooded with bright lights that emphasize the natural wonder and beauty of the world. A romantic vision of a world that Hayao Miyazaki created where things were simpler, a world of old Japan. Both soft lighting and high key lighting techniques are used in The Wind Rises. When Jiro flies on the wing of a plane in a dream, the sun shines on Jiro's face and fills the scene with a bright light. It shows the wonder of Jiro's dreams and flight, and shows another innocent world where Jiro's zero fighter planes are not used for war. The camera movements in Hayao Miyazaki's films also help convey his feelings in his directing style. In The Wind Rises the camera zooms in on Jiro's face as he dreams of flying on a plane. It shows the innocence of Jiro's dreams, why he cannot become a pilot himself, and the wonder and fascination he feels in flying. In both My Neighbor Totoro and Spirited Away, dolly tracking is used in flying scenes. When Chihiro rides Haku and they fly through the air and when Satsuki and Mei hold on to Totoro he flies through the air with his screams and an umbrella. The camera follows them to show the sensation of flying through the air. The wonder that touches the sky, Hayao Miyazaki's character costumes also show an innocent and wonderful style. In the scene where Satsuki, Mei, Totoro and their friends dance around the magic tree they are wearing pajamas. This shows the audience that they are still innocent. They are children who are simply playing with their new friend and learning more about the world. Innocence is also shown through Chihiro's work clothes at the bathroom. This set of clothes shows the true innocence of Chihiro's child who was whiny and pessimistic. After staying in the bathroom and meeting Haku, Chihiro transforms into a determined young girl who breaks Haku's curse and that of her parents. In.