Marjane Satrapi is an Iranian author and illustrator who grew up in Tehran in a middle-class family. Both of his parents were political activists and supported a Marxist ideology contrary to the beliefs of the last Shah's monarchy. Although Satrapi's family was relatively progressive and secular, she had a very strong personal connection to religion, to the point that her only desire was to become a prophet. Most of his childhood was marked by war, violence and Islamic fundamentalist oppression. In both of Satrapi's memoirs, Persepolis 1 and 2, Islamic fundamentalism is a highlighted topic. It details how the strict regime controlled activities such as alcohol consumption and how women were allowed to act in public. In these memoirs, Satrapi uses graphic weight and empty background to demonstrate that Islamic fundamentalism has an emotional cost. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay In Persepolis' first memoir, Satrapi delves into her childhood years. Even though she is just a child, she still feels the political weight that the fundamentalist regime has imposed on her. He communicates this through the use of graphic weight and background. Satrapi begins her first memoir with a chapter called the veil. In the second panel on the first page, Satrapi graphically demonstrates the emotional toll that Islamic fundamentalism has placed on young girls. Flying over the page, the second panel stands out because it takes up more space and contains expressive portraits of four girls. Each girl is quite similar to the other and they all seem unhappy. This negative similarity demonstrates that girls, forced to wear the veil, feel like objects and not unique individuals. Veils do not allow girls to be expressive, because the more they are covered, the "better". You can tell from their facial expressions that they feel very unhappy about this. So the fundamentalist Islamic tradition of veiling weighs on them emotionally, especially in adolescence. In the same panel on the previous page, Satrapi incorporates another element, the background. Specifically, a white background demonstrates the emotional effect of fundamentalism. Behind the girls lies a blank white background with no details. This lack of detail not only highlights the girls, but also downplays their sad expressions. The background is a solid color and represents the way in which Islamic fundamentalism forces girls to fill an "ideal" role described in the holy book. There should be no difference between young women, they should all behave in the same modest and conservative way. This, without a doubt, causes emotional stress to girls. The second memoir of Persepolis follows Satrapi into young adulthood. In this book she meets herself alone in Europe. Here, without the pressure of a fundamentalist regime, he pursues higher education and finds his true personality. As much as she may have changed as a character, as an author she writes her second memoir in a similar style and emphasizes similar ideas. Once again, Satrapi uses size and facial expression to give graphic weight to the panel on page 91. The graphic weight of this panel draws attention to the emotional impact of fundamentalism. In her illustration she becomes filled with grief when she lifts her veil and realizes that she must return home. She knows she will abandon the liberties and liberties enjoyed by Western women, returning to an area dominated by fundamentalist thinking. The knowledge that by returning he gives up his freedom of expression places a great deal of emotional stress on his shoulders. Therefore the cause of.